STOP | China
STOP HUMAN TRAFFICKING
Come home, baby | China
The work uses a black theme color to highlight the darkness behind human trafficking.
Thank you please come again | Taiwan
The name of my work is called Thank you for welcoming me again , and I use satirical means to express the theme of this time , and I want to show the distortion of the human nature of the trafficker and the buyer as a whole . and the helplessness and fear of the victims.
Worth | China
A large part of human trafficking is the sale of organs, this poster works form an idea, using red elements eye-catching dazzling. Black lines outline the temptation of the human body. It also condemns the atrocities and cruelty of trafficking in persons.
Come here, let uncle hug | China
STOP HUMAN TRAFFICKING
Prisoners of the shadows | Malaysia
In the song they say trust no shadows, when I thought about this, it also can be said about the people who control the human trafficking corporation. So in my poster I wanted to convey that we know who the victims are and how they look, but who controls them are like shadows to us, as they remain usually uncaught and in the dark. Prisoners of shadows means we need to do better to find and spread awareness of who these shadows are so less people can be trapped. The overall blue theme represents blue collar workers as a lot of them come from forced labour and human trafficking .
VICTIM | Taiwan
Female genitals are constantly being hurt, as if they can experience the fear and helplessness of being abused, and hide and take a peek after the abuse.
Post-trafficking violence | Taiwan
People who have been trafficked no longer have human rights, they are simply being sold as commodities.
Displace | China
The work expresses the meaning of replacement by leaking mouth. In the past, some institutions made profits by buying and selling people. This poster represents a profit from buying and selling people.
No love No future for them | Japan
This poster shows the suffering of people sold to others and deprived of their future.